Tag Archives: kids

The Pedal Turns the Crank: Scribble breakthrough!

I’m so excited about this! (I know, everybody says that about their Kickstarter project, but I’ve got the excitement chemicals speeding around my system EVEN AT THIS VERY MOMENT.)

Photo from today’s weekly production meeting for The Pedal Turns the Crank. I love Khai’s rough sketches, but the major conceptual breakthrough? That I’ve been banging my head against for months (for years, if you’re counting since I first had the idea that this could be a picture book)?

The scribbles at lower right. Those are the final breakthrough that had to happen.

This whole book is families having bike adventures together, and each spread (spread = left and right page together as one big rectangle) is one family. There’s the mountain bike family, the road bike family, the beach cruiser family, etc. On the last page, they all come together for a big ride.

But just because a kid has learned the chant (“The pedal turns the…CRANK! The crank turns the…CHAINWHEEL! etc.), that doesn’t mean they know what a chainwheel is, or how to recognize one.

I’ve been going with variations of one basic idea, which is simple technical illustrations as spot art on each spread. Pedal. Crank. Then on the next spread: Crank. Chainwheel.

But I got to thinking about how I taught my own kids. I didn’t do that, I got down low with them and put my finger on each thing. Pedal. Crank. Chainwheel. Chain. Sprocket. So could we do something like that at the very end? Just show everything in that way?

And Khai said, Or the center spread.

And there was the thunderbolt:

The center spread (the one that comes halfway through the book) is in comic book form, a series of panels, each showing one of the different bike families taking a break on their journey and the adult showing the kid one drivetrain part.

So each family’s journey is in three pieces: Their own spread, at the start of their journey; one panel of the center comic spread, taking a break during the journey and learning something; and their little part of the big final image, all the cyclists coming together.

And then, on each main family spread, which says, eg, “The chainwheel turns the…CHAIN!” the chainwheel and the chain are red, or have a little glow, or something like that. It’s a Where’s Waldo, with the center comic spread as its key.

This was the LAST THING that had to fall into place.

I love weekly production meetings, I love collaborators that get you excited every time you meet, and I love this book.

Kickstarter pre-launch page. Please follow us! https://www.kickstarter.com/projects/noteon/the-pedal-turns-the-crank

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The Pedal Turns the Crank: Kickstarter presskit!

Regular posting about The Pedal Turns the Crank is a goal for me, leading up to the unveiling of the pre-launch Kickstarter page, and I’ve been posting some of Khai’s rough art and writing about the project, but today it occurred to me that I could show how some of the design stuff for the Kickstarter is coming along, too.

After reading an article about how to get on podcasts at Jane Friedman’s website, I started putting together a one-sheet (aka press kit, aka media kit), following the tips in the article. So in the spirit of letting people see how things are going, even if they’re not finished yet, here’s what’s up this week on my end. I haven’t cut Khai’s bio down enough yet, and there’s some gibberish in it which is me typing key thoughts while he talked at Friday’s production meeting, but this will turn into what we send out to try to get the interest of bicycle podcasts, parenting influencers, family podcasts, book influencers, crowdfunding blogs…

I don’t think it’s focused enough yet, as a one-sheet. It’s more like book jacket copy, and I’m not sure how to better focus it, but we’re 1) maintaining momentum 2) consistently 3) in the right direction.

Which if you’re a bike person, you’ll recognize as the only way to get someplace you actually intended to go.

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The Pedal Turns the Crank: BUZZ DAY 1

I have “Pedal Turns the Crank Kickstarter buzz” on my calendar every day, and I’m not sure exactly how to get that going – but it’s day 1, so… here are some of Khai Tran’s bicycle studies (he’s been drawing a LOT of bicycles lately) and some of his free-associating Post-its based on my ongoing Google Sheet brain dump of different kinds of bikes, bike cultures, families, clothes, etc. Diversity in all things, always with bicycles as the through-line.

The backstory (short version):

The pedal turns the…
CRANK!

The crank turns the…
CHAINWHEEL!

The chainwheel turns the…
CHAIN!

***

This little call-and-response chant was a game I made up for my bike-loving kids. It became a family tradition on our frequent bike outings, and now it’s becoming a children’s picture book, featuring bikes and families of all kinds coming from all kinds of places to meet up for a big ride together.

One day in September at the Danbury Hackerspace, where I run Typeflow (my print book/ebook design/production company), painter Khai Tran turned to me and said, “Ever think about doing a children’s book?” and I said, “I actually have one, but illustrators are too expensive.”

Then after a long, dumb pause, I said, “You’re an illustrator…”

We’ve been having weekly production meetings ever since.

(Here’s one of them. Khai likes my Xootr Swift.)

***

The chain turns the…
SPROCKET!

The sprocket turns the…
BACK WHEEL!

What turns the pedal?
MY FEET!

***

Coming soon to Kickstarter!

Well, soon-ISH. I don’t know how much lead time to leave for bike bloggers/magazines/influencers (do you?), and I haven’t even written the Kickstarter main video yet. But we’re STOKED every time we meet.

More buzz coming. Maybe along the way I’ll figure out what that means.

(If you know how to do buzz stuff with bike people, I’d love to learn about it.)

###

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Little house of men

MY FATHER MADE it clear to me that I was mechanically inept. “Sometimes it skips a generation,” was the phrase, and we believe what we’re told by people we believe love us. He had it, I didn’t, and because it had skipped me, I never would.

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ALL THE QUOTES are from Pastime, a 1991 Spenser novel.

“Remember,” I said, “there were no women. Just my father, my uncles, and me. So all the chores were done by men. There was no woman’s work. There were no rules about what was woman’s work. In our house all work was man’s work. So I made beds and dusted and did laundry, and so did my father, and my uncles. And they took turns cooking.”

The first thing I bought to improve my kitchen was a serving spoon. I was working at Scholastic Books in Manhattan, and across from it was Dean and DeLuca, a very expensive gourmet shop where sometimes, to make myself feel better, I’d drop several dollars more on a treat than something only a scant degree less enjoyable would have cost at Cafe Duke.

They had utensils there, too, not just tony takeout. I thought about it and bought this big, pretty, satin-finish serving spoon.

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THEN, BECAUSE I was reading Consider the Fork, and she swore by tongs, a pair of those, also from Dean and DeLuca; and thanks to a minor casino windfall of my wife’s, a rice cooker from Mitsuwa Marketplace—the largest Japanese grocery store in the US, which I’d sometimes stop into after riding my bike into New Jersey, to pack my single pannier with sake for me and mochi or candy for my family. Then the Microplane Zester/Grater—I think that was also from Consider the Fork—and I don’t remember the order of acquisitions after that. A thing here, a thing there. All haphazard, probably, from the outside, but tightly integrated to the emerging pattern in here. A pretty serving spoon was only needed if I was going to take food seriously enough to want to present it; we already had black nylon cooking spoons, which we used for both stirring and serving. This would not be used for stirring. Tongs were only necessary if I wanted to risk, on the say-so of a book, money on a utensil I’d never felt the lack of, but which an expert called her most valuable. And a rice cooker is a long-term decision about nutrition, expense, and self-reliance…and I have this Kurusawa/Mifune thing. The ronin in The Seven Samurai—as determined, scarred, and self-reliant as any knight-errant gumshoe—accept rice as payment.

Separated by weeks and freelance checks came: a good garlic press, a balloon whisk despite already having a spiral one, a small mortar and pestle, two nice big white serving bowls from Sur La Table, nested, even though mixing bowls had been serving the same purpose just fine. Each item requiring a second or third thought, and usually a second or third visit, before the purchase.

 

“So all of you cooked?”

“Yeah, but no one was proprietary about it. It wasn’t anyone’s accomplishment, it was a way to get food in the proper condition to eat.”

 

MY MARRIAGE ENDED, after a quarter-century, in July, 2014. She moved first, to the county in Connecticut we’d agreed on so the boys could have good schools and I could have train access to Scholastic. By the time the moving started, Scholastic had given all my work to a much larger vendor that could offer bulk pricing. No time to react. Two weeks later, I landed in the same county, different town.

I got the old raw-wood Ikea utility table. On our first weekend together, I had the boys sand and stain it with me, and it moved into our new kitchen as our new prep table. It fit perfectly. We didn’t have anywhere to eat yet, or even a wastebasket, but I knew what kind of little family of men I wanted.

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THEY TURNED TEN soon after we moved. Now they’re eleven.

I called them to the top of the stairs to their room this evening, and said to the one who’s only intermittently interested in cooking, “There are two things I need done, and you can choose which. One, you can wash some dishes and set the table. Two, I need the chain taken off my folding bike, which is in the bike garage on the workstand, and put to soak in cleaner.”

“CHAIN!”

His brother’s dream is to be on MasterChef Junior; I’ve been working with him on cooking since we moved here. This boy’s equivalent started four days ago, when he began his career as a mechanic by replacing the rear dérailleur and shifter cable on a little secondhand mountain bike his mom bought to keep at her place. His career will probably not be as a mechanic; he wants to be a scientist. I will probably never be able to send him to college, but I was struck, long ago, by Richard Feynman’s stories of being “The Boy Who Fixes Radios By Thinking,” and I can at least give him a tactile understanding of basic physics. The classical simple machines are lever, wheel and axle, pulley, inclined plane, wedge, and screw. Bicycles are compound collections of four out of six, and the other two (wedge, inclined plane) are integral to fixing and riding them.

And not just of basic physics, but of applied physics; felt physics. Reading about springs and being able to repeat that they store energy is not the same as getting your finger pinched when a dérailleur snaps back on its hanger. The abstraction of reading says the physical world is readily understood and easily manipulated. The orneriness of reality teaches you that perseverance and endurance are the only things that really ever manipulate it.

The bike garage is the only room in the house where he’s allowed to swear.

I’ve struggled with dérailleur adjustment for two years, since I bought my first workstand and bike tool set during the same life epoch that pushed me to buy the serving spoon. Lightly guiding my budding mechanic through his own first repair blew away the last of the obstacles. I now get it. Last night after seeing my boys at a school concert and then leaving them and driving half an hour home by myself, I needed to make myself feel better, so I shouldered my randonneuring bike down the basement stairs and tuned up its winter-beaten drivetrain. I didn’t refer to any of my previous printouts from the web. It just makes sense.

It made sense to mechanical boy in a single day. Mostly I just tightened things his hands were too small for, made him stop when he jumped to the wrong conclusions, and told him not to hit himself in the face with the cable.

I also had him touch the cable near the shifter while turning the grip, to feel what’s going on up there, and then had him do it again while watching the dérailleur. His light bulbs went off so much faster than mine ever have. He’s got that thing I don’t.

 

“Your father sounds as if he were comfortable with his ego,” Susan said.

“He never felt the need to compete with me,” I said. “He was always very willing for me to grow up.”

 

SO I HAVE my fantasy house, my little family of men. I yell at them sometimes, which Spenser’s fictitious father and uncles never did, and feel unforgivably shitty and apologize. I’m trying to be an ideal, and that’s something nobody can maintain outside the hermetic chamber of a book. But even an unattainable ideal lies in a direction, and if we don’t aim for it, we don’t travel in that direction, and can’t get reshaped by the effort.

We’re still jerks sometimes, all three of us, including the one who’s not eleven, but I think we’re teaching each other how to be better men, one generation to the next.

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IT WAS A very simple dinner tonight because of work and being tired and not-recovered-yet broke, and as a pan heated, I went downstairs, plausibly to make sure the mechanic knew where the Chain Brite was before he got started, but really to see about fingers not being pinched, and he was already done. The chain and master link were soaking in the yellow Domino Sugar tub. So I agreed that yes, it is very fun and he should totally do more of this kind of thing, and went back up to the kitchen and his brother said, “Can I butterfly these sausages for you, Dad?”

I know how I got here. I don’t want to sound disingenuous. It was intentional.

This is just a night when I had that moment, and am amazed.

 

 

 

 

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One second before the change

I PICKED HIM UP after karate. We have “one-boy nights,” but they got disrupted this month, and I’ve seen my children for about an hour over the last nine days. I don’t usually miss them when they’re not here; I’m just sad to see them go and happy to see them come back. (“Yeah! Me too!” he exclaimed on the drive home.) But this time I’ve missed them since they went to Mom’s.

His brother has started puberty. He turned his back and walked away from me three times after karate class, while I thought we were still engaged. He came back and gave me a hug when I called him, because he’s still a sweet boy, too, but it’s started.

But the other one…not yet.

“What should we do tonight?” we asked each other on the way home. “Do you have work?” he asked. “I hope you’re done with everything and you don’t have to work.”

“I’m not done with everything,” I said, “but I don’t have to work.” But then we couldn’t think of what to do. Sometimes we like fixing things together, but there’s not really anything to fix. Plus I’m very tired. It’s been an emotionally rough week, and today was jammed from 7am, when my alarm went off and I drove to their mom’s town to see them off at their first day of middle school, until I drove there again to pick him up after karate. I’m a month overdue for a haircut, and people who are supposed to be paying me aren’t paying me.

(They’ll pay me. They’re just not doing it when they’re supposed to.)

It’s the kind of tired where you look in the mirror and see what the karate teachers saw: You missed patches of whiskers when you shaved.

“I kind of feel like…” he said. “I dunno…just hanging out and watching a movie.”

“You know, me too. What movie.”

“I don’t know.”

“Me neither.”

We thought hard. The car was filled with the sound of our silent brains.

“I know!” he said twenty minutes later. “I want to watch Yojimbo.”

“But we just watched that recently.”

Yojimbo?”

“Yeah. Didn’t we?”

“Well, a while ago… But we watched Throne of Blood. That was July 4.”

“July 4 was Throne of Blood?”

“Yeah.”

“Oh,” I said. It was? “But we’ve seen Yojimbo twice now, right?”

“Yeah, twice.”

“Yeah…I don’t want to see it again yet. How about Sanjuro? The sequel. It’s the same character without a name.”

So he looked doubtful and then approving, and then we rejected one dinner idea after another, and neither of us wanted to cook. We ended up getting cold roast beef and warm mashed potatoes at the grocery store, and some Ramune and mochi because they accessorized the movie.

I have done so many things wrong, as a parent, and I don’t even know what they are yet. His brother’s got a foot cocked out the door of adolescence. I’m juggling bills and learning a kind of hustle at 49 that I never got together in my 30s. Autumn’s coming. But for probably the final summer, my boy still wants to watch Sanjuro with me.

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HE LEFT HIS stuffed sheep at Mom’s.

“You said that was OK and you were going to use a pillow.”

He can’t really sleep without the sheep.

“I know,” he said. He was on his mattress, which I haul down the stairs to my room every time he’s here without his brother. “But…”

“Do you have any stuffed animals here at all?”

“No.”

“Well you need something. What are we going to–oh, I know,” I said.

I still have my stuffed animals from when I was little.

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“SCOOT,” I ORDERED, and lay on my back next to him. “This would be a lot better if there were stars up there, and we were lying in a meadow or something.”

We both looked at the dark ceiling.

“There’s something I want from you,” I said.

“What?”

“I know you guys are brothers, and that means you bug each other. He’s gonna do that hiss thing, and you’re gonna give him the squinty-eye face, and that’s just how it is. But I want something from you. If you see people joining up and going against him, you go join together with him. I know we all pick on each other sometimes, but if someone picks on one of us, we pull together.”

“OK.”

“And if you forget and you don’t join together with him, then when you remember, just go do it.”

“OK.”

“We stick together.”

We looked at the ceiling. That had all seemed a little macho and a bit earnest.

“And then when they’re gone, we can pick on each other again,” I said.

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THE WE-STICK-TOGETHER conversation went into some stuff about his brother’s new behavior, and I said something about the need to self-define and detach that comes with adolescence, and how it takes a while to get used to those feelings and handle them well.

“You’ll see when it gets here for you.”

“How do we know it’s not already here for me?”

I didn’t talk for a bit. “That’s an excellent question.” (I know very well it’s not here for him yet.) “You’re certainly more mature…”

“I am?”

“Oh, yeah.”

“But I’m a goofball!”

“I’m a goofball too, but I’m quite mature. And I’m forty-nine.”

“Mature? YOU?”

Some humor has to be decided in a sliver of a second. “Shut up!” I said.

He grinned and chuckled.

Not hurt by the shut up. Just pleased to be a trusted peer.

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It’s been a rough week, and I know I’m already emotional.

But oh, my boys. My little boys. They’re almost gone.

Come back and let me do it right.

one_second_before_the_change

 

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Hoyt’s Hill

Child on bike, resting at top of hill

 

“I DON’T WANT to hear any woohoos. I want to see serious descending.”

He’d just climbed 300 feet over about three-quarters of a mile, and now we were over the crest and he was feeling the start of his reward, rolling T-right onto Spring Hill Road on his little 20″ kids’ bike and aiming it dead-center at gravity.

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“ONE,” I’D SAID to him after making him stop with me at the crest. I was holding one finger up. “You’ll have to brake a lot sooner than you usually do. So do it way early, so you don’t shoot into an intersection and get squished by a car. Got it?”

He broke in with something happy and excited about the climb. I nodded and said, “Did you hear what I just told you?”

“Yes…”

“What did I say?”

“You said…”

“…brakes?”

“Oh, right. I have to brake sooner than I think I will.”

“Correct. I’ll help you with that. When I tell you to do something, you have to do it. Got it?”

“Got it.”

“OK, that’s one. Two is, if your bike starts to shimmy, clamp your knees on the top tube.”

“Oh, I do that anyway.” He showed me.

“So clamp, and also slow down. Don’t do it abruptly, or roughly. Nice and easy, controlled. Got it?”

“Got it! Let’s go!”

He was already rolling.

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FIRST LEG, HE overshot the stop sign by a couple of feet. A mother on the other side of the intersection, twenty-five feet away, just barely started reflexively pulling her kids aside, but it was mom-protectiveness, no danger, and there were no cars anywhere.

I raised a hand in thanks and smiled, and she did the same.

“He just climbed it for the first time, so now he gets to descend it for the first time,” I said as we started up again from the stop, explaining why I’d been calling out directions.

“Oh, that’s fine,” she said, smiling as we passed, and then it changed to, “Oh, wow!”

We flashed down past a roadie coming up the next grade. He was mashing. We were a kids’ bike whipping downhill and fenders and bags behind it yelling NICE! GOOD JOB! NICE TUCK!

“OH MY GOD!” the kids’ bike shouted at the bottom, as we coasted on a short flat. “THAT WAS SO AMAZING! THAT WAS SO FUN! OH-MY-GOD!”

“Nice job. Left turn coming up. See it? That’s the next descent.”

I saw him searching, saw him find it. “Oh my god. That’s–”

“Stay right,” I said, and we tilted down.

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I HAVE LANDMARKS along this hill for braking. Approaching Hoyt’s Hill on Fawn at full tuck and 223 pounds, the white mailbox is too far.

“OKAY!” I yelled. “I WANT YOU TO BRAKE IN THREE…TWO…ONE…BRAKE!”

In a couple of seconds, there was a tiny wobble in his rear wheel. I knew what that was, and I saw him ease off and get back inside it. He wasn’t to the intersection yet. Apprehension got me, as if there was anything I could do if he overshot now.

We put our feet down at the limit line together. This time yesterday, all three of us were out charging around a parking lot in a downpour. This kid’s just like me in a storm—he nearly glows with the thrill. He was very nearly that electric now.

“OH MY GOD, THAT WAS SO AWESOME! How fast do you think we were going? Oh, you don’t know, you weren’t going as fast as I was. Oh my god THAT WAS SO COOL.”

“No, I was right there with you. I’m thinking maybe thirty.”

“THIRTY! OH. MY. GOD!”

“Maybe. Maybe thirty. Maybe mid-twenties. We’ll see when we get back and see what it looks like on Strava.”

“I think it was thirty! Dad, I could hear it in my ears, like–” he imitated the noise.

I grinned and nodded. Now it was something we both knew. Not just me.

“Okay, we’re going to cross and then stay right. … Go.”

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TEN AND a half.

Next summer, adolescence. This summer, “I don’t like being home alone. Can I go too?” and a little red bike and a little white jersey in a tuck.

Going 30.6.

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Interlude: Morning, Kitchen, Willoughby

THERE ARE DIFFERENT kinds of morning light. Today’s is pale, but my kitchen has wood and copper in it, and a new bright orange stock pot, and daisies in a washed-out Bulleit rye bottle on the long prep table from the old apartment that the boys and I sanded and restained a weekend or two after we first moved in. You can do that kind of thing when you leave the city and have a small back lawn. The other finishing touch was a red clock, which is ticking above my head, softly. I think a boy may have just gotten up. It’s 8 a.m.

There’s rice waiting in the cooker and bowls warming in the oven. We’ll be watching anime and eating soon. I think I’m up to four kinds of soy sauce in the pantry, but the good stuff isn’t easy to find around here. I’ll get some at Sunrise Mart, one of the items on the notepaper on the fridge that says NYC at the top. I no longer have cats, including the one who loved to pull everything off the fridge. I’ve had cats my whole life. I don’t really miss them. That was unexpected. And I really don’t miss walking barefoot on cat litter in the morning.

No boy. I guess they’re still asleep.

When they’re at their mom’s, I turn the thermostat off and use a space heater. Then I turn the thermostat back on and can’t figure out why it won’t obey my temperature settings. I wrote to the manufacturer and got a manual for it, but my eyes glazed. I’ll try again when they’re not here and we don’t have better things to do on a Saturday, like try out the local comic book store or see what the “tree festival” is.

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I HAVE NEVER been a good housekeeper, and that has always been a nut of conflict. But this is my kitchen. My house. My daisies. My expensive Honeysuckle-scented all-surface cleaner. My sense of what to teach boys about manhood. Endurance, self-sufficience, beauty, efficiency, cast iron. The cast iron is from my mom, mailed cross-country. I remember using it when I was the boys’ age. The slow cooker is brand-new and I expect it to break next year. In the maelstrom of the separation and move, I wanted a slow cooker, and this is the one recommended by America’s Test Kitchen, whose cookbooks I really like. I didn’t read the Amazon reviews; I should have. I also got the front end of my new bike wrong; the stem is too low, so it puts me into a racing posture. I am not a racer. You can look at me and know that.

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I GOT 1) the slow cooker wrong, and 2) the bike wrong, and 3) I signed a car lease I shouldn’t have, and 4) the old landlord outclevered me and kept a few thousand in security deposit.

But:

  1. About a month into our new life, I handed the boys a cookbook and told them to pick dinner from the slow-cooker section. They came back in ten minutes: Korean Braised Short Ribs.
     
    I’m like—seriousl…uh, never mind, YOU’RE ON.
     
    It was excellent. It was less expensive than processed foods. When the accidentally wrong slow cooker breaks, I’ll get a cheaper one.
     
  2. The too-low stem on the bike means I spend a good deal of time out of the saddle, because I don’t like the position. That would be more of an issue if I were spending any time on the bike at all, which is related to it not being quite comfortable enough, and also related to life being an upheaval—but I got the bike built in time to have a finished one at the start of my new life, and I love it in all other ways. It’s not a particularly expensive bike, but it’s got exactly the tires I wanted, and just the front bag and the very fenders, all of which you’d think would be bolt-ons to any random bicycle, but most bikes don’t have the right spaces to accept them.
     
    I ride it around town on errands. When there’s a little more money, I’ll get a fitting and replace the accidentally wrong stem, and it will be the brevet whip I meant it to be.
     
  3. The car lease was a mistake. I can’t afford it. I really wanted to go completely car-free, but the boys ended up going to school twelve miles away. It’s the cheapest monthly rate I could possibly find, on the cheapest car around, but I should have bought a beater outright and paid less for insurance. And the mileage limit is too low and the term is way too long. But we have reliable transportation, and the accidentally wrong lease will—eventually—expire.
     
  4. As for my old NYC landlords:
     
    The ones before these ones were powerful criminals. (No kidding. I spoke briefly with the NY District Attorney a year or two before they finally broke them up and put them out of business. It was in the news. Too late for us.) These ones…benefit of the doubt. Maybe just dishonest slimeballs. So they get my money and I cut my losses and move on. You can’t pull a victory out of everything.

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NOW I HEAR the stairs creaking and crackling, so I’ll wrap it up. A new familiar sound in this new familiar life. And the light’s not as pretty in the kitchen. Rice and anime await, and noise and mess and bickering and comic books and piano and trombone and cello and cookie baking and fart jokes and farts. And, I’ll cop to it, the work I didn’t get done this week for, honestly, not any good-enough reason. The copper canisters and the orange stock pot are steadfastly cheery, and the red clock—it just ticks softly on, but soon I won’t hear it.

 

 

my_city

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Brilliance and color


A companion piece to this entry,
Five Snapshots of One Boy
is here.


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AT 7AM THE NEXT morning, I got up from the mattress that doesn’t have a bed frame yet and went into my kitchen to make my tea. I can see the wet street because there’s nothing covering the kitchen window—which is probably odd, since I moved here ten weeks ago, but general move-in stuff hasn’t been as important as making one single room beautiful and functional. That’s the kitchen. The boys and I live in it together. We cook together, they do their homework there, and if they don’t want to read in their room, they’re doing it down in the kitchen. That’s what I wanted when I put the kitchen together, and that’s what I got. When they’re at their mom’s, I cook in it, sit at the nook with my computer and work, and keep it nice. (Usually.)

One room at a time, as money allows. The living room is next.

I don’t remember the precise moment when I realized we could use the 25-minute drive to their school as podcast time, but it happened in that kitchen or on the way to it, and I got kind of excited. My more sciencey boy loves Radiolab (so do I), and my less sciencey boy tunes out anything he’s uninterested in and listens to the music and TV shows in his head instead, so I thought it could work well—and Radiolab Shorts are about the right length.

So we would do that. I got them up and we had breakfast and referred to the new checklist on the envelope on the refrigerator and got out the door at very nearly the appointed time.

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FALL IN WILLOUGHBY, Connecticut is retina-dazzlingly gorgeous. If you’ve ever had the experience of barely being able to look at someone who was talking to you because they were just too beautiful, it’s a similar sensation, especially along Simpaug Turnpike before it crosses Umpawaug Brook. During this part of October, every morning brings a new shock of rust and gold, and the green and yellow fade, morning by morning, like drying paint.

The Radiolab Short I already had on my phone was about an endangered bird species. There are spoilers for it two paragraphs from now (like, big spoilers for the entire episode), but the episode’s not very long, so you can listen here first if you care about that. I started it playing when we were underway and glanced to see who had noticed. Science boy was forehead-down over Rick Riordan. Music-in-his-head boy was looking out the window. I can never tell what he hears or doesn’t, but it’s generally a good bet that whatever’s already in there is more entertaining than whatever you’re trying to force through his ears.

So I let it play until it got to a point they had to understand, or the rest wouldn’t make any sense, and I paused it and made sure they did, which I also figured would get them listening in the first place if they weren’t. They made the right noises to make me go away, which are indistinguishable from paying actual attention, and I let it play again.

This episode is about a group of people who go to a huge amount of trouble and gargantuan expense to try to turn endangered whooping cranes back into a viable wild species. There was a full-length Radiolab about it; the Short is a sort of coda, in which those people realize some of the cranes are going into this lady’s yard and eating from her bird feeders, which is not good for a variety of reasons, one of which is that whooping cranes in this project have already been shot, so allowing them to learn populated areas are good foraging grounds—that’s bad.

So the endangered-crane repopulators go to the lady’s house and ask nicely, and she refuses to take the feeders down.

At this moment in the show, we’re disappointed in our own species. (Except for those of us who are longtime Radiolab listeners and can see how much time is left in the episode.)

The next thing is a phone call they recorded with her—and she is not what we expect. She’s not a crazy bird lady, or some intractable ignoramus. She’s a widow whose husband of fifty years had Alzheimer’s, and the one thing that brought him back to her was when the birds came back to the bird feeders. And then, in more recent times, amazing huge white ones started showing up. It was magical.

The hosts, as they do, performed our own thoughts and emotions for us. On the one hand…but on the other hand…but how does this change…and I won’t spoil the rest of that conversation. But in the car, driving through the painfully splendid Autumn and making the sharp right onto Cain’s Hill Road—which I refuse to stop reminding them I climbed on my folding bike with a trailer because I didn’t know the hill was there until I got to it—first I asked what they thought. And got the expected responses: Why won’t she take her bird feeders down!?

Which we talked about. And then I pointed out that there were no bad guys in this story. There were only good guys, but what they wanted was different. Then I said, What if you were a judge, and you had to decide how this should go?

Science boy, who was the main one I was talking to, since his brother was still just looking out the window, said, I think she should take them down. It’s a whole bird species!

Then, because I have a thing about including them both whenever possible, even when it’s pretty clear (as during the story the night before) that one isn’t paying attention, I said his brother’s name and repeated the question. If you were a judge, what would you decide?

He said, “I’d tell the lady that even though he’s gone, she still contains him within her.”

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MAY YOUR DAY be gorgeous and humbling.

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